Horror Authors Discuss the Most Frightening Narratives They've Ever Read
A Renowned Horror Author
A Chilling Tale from Shirley Jackson
I discovered this narrative long ago and it has stayed with me since then. The titular vacationers are a family urban dwellers, who lease an identical off-grid lakeside house each year. During this visit, rather than returning home, they opt to lengthen their vacation an extra month – something that seems to unsettle all the locals in the surrounding community. Each repeats a similar vague warning that no one has lingered at the lake past Labor Day. Even so, the Allisons are determined to not leave, and that’s when things start to become stranger. The man who supplies fuel declines to provide for them. Nobody will deliver food to the cottage, and at the time the Allisons try to go to the village, their vehicle won’t start. A tempest builds, the power in the radio die, and when night comes, “the elderly couple crowded closely inside their cabin and anticipated”. What might be the Allisons anticipating? What could the residents know? Every time I revisit this author’s disturbing and thought-provoking story, I remember that the finest fright comes from the unspoken.
An Acclaimed Writer
Ringing the Changes by Robert Aickman
In this brief tale a pair go to an ordinary beach community where church bells toll continuously, an incessant ringing that is irritating and unexplainable. The initial truly frightening moment takes place at night, as they decide to take a walk and they can’t find the ocean. The beach is there, there is the odor of putrid marine life and salt, surf is audible, but the sea appears spectral, or a different entity and more dreadful. It is truly deeply malevolent and every time I visit to a beach after dark I recall this story that ruined the sea at night for me – positively.
The newlyweds – the woman is adolescent, he’s not – go back to their lodging and find out the cause of the ringing, in a long sequence of claustrophobia, gruesome festivities and death-and-the-maiden intersects with grim ballet chaos. It’s an unnerving reflection on desire and deterioration, a pair of individuals maturing in tandem as partners, the attachment and violence and gentleness of marriage.
Not only the most frightening, but probably a top example of short stories out there, and an individual preference. I encountered it in Spanish, in the first edition of these tales to be released locally several years back.
A Prominent Novelist
Zombie from an esteemed writer
I perused this book near the water in the French countryside a few years ago. Although it was sunny I experienced cold creep through me. Additionally, I sensed the excitement of anticipation. I was writing my third novel, and I encountered a wall. I wasn’t sure whether there existed a proper method to compose some of the fearful things the story includes. Experiencing this novel, I understood that it was possible.
First printed in the nineties, the book is a bleak exploration into the thoughts of a murderer, the protagonist, modeled after Jeffrey Dahmer, the serial killer who killed and dismembered 17 young men and boys in a city between 1978 and 1991. Infamously, Dahmer was obsessed with creating a zombie sex slave who would never leave with him and made many macabre trials to achieve this.
The actions the book depicts are appalling, but just as scary is its emotional authenticity. Quentin P’s terrible, shattered existence is directly described in spare prose, names redacted. You is plunged trapped in his consciousness, obliged to witness ideas and deeds that shock. The alien nature of his mind resembles a tangible impact – or being stranded in an empty realm. Entering this book is less like reading but a complete immersion. You are swallowed whole.
Daisy Johnson
A Haunting Novel from Helen Oyeyemi
In my early years, I was a somnambulist and eventually began experiencing nightmares. On one occasion, the horror included a dream during which I was stuck inside a container and, when I woke up, I found that I had ripped a piece out of the window frame, seeking to leave. That building was decaying; when storms came the ground floor corridor filled with water, maggots came down from the roof into the bedroom, and on one occasion a large rat scaled the curtains in that space.
After an acquaintance presented me with Helen Oyeyemi’s novel, I was no longer living at my family home, but the tale of the house located on the coastline felt familiar in my view, homesick at that time. This is a story featuring a possessed loud, atmospheric home and a girl who consumes limestone off the rocks. I loved the book so much and returned frequently to the story, consistently uncovering {something